DC Universe     [all categories]
  DC Universe Archives
  Doubling up on restoration

Post New Topic  Post A Reply
profile | register | preferences | faq

UBBFriend: Email This Page to Someone! next newest topic | next oldest topic
Author Topic:   Doubling up on restoration
dylanfan
Member
posted March 14, 2003 08:33 AM     Click Here to See the Profile for dylanfan   Click Here to Email dylanfan        Reply w/Quote
This is a question I would pose to Bob, but he's on a well-earned vacation, so I simply leave it up to the speculation of the folks here at the Archives message board.

In considering what the next GA Superman volume will be, it was offered that since Batman In World's Finest Vol. 1 has seen publication, then it follows that much of the restoration work on the complimentary pages of Superman would have also seen work. This seems like a valid assumption to me, but is this the case?

What part of the process of putting together the Batman book would make it easy to also put work in on the Superman pages? Borrowing the original books? (Do they still have access to original art from these periods?) And would this follow to, say, More Fun Spectre issues, where we could then conclude that we'll see all of Corrigan's stablemates seeing their pages getting restored at the same time?

I'm not quite sure how this all shakes down. It would be strange if this were the case that DC has sat on all the Hawkman pages it might have worked on when putting together the first Jay Garrick book.

------------------
Visit the Marvel Masterworks fansite and Message Board:
Go to www.marvelmasterworks.freeservers.com

IP: Logged

quincyjb
Member
posted March 14, 2003 10:50 AM     Click Here to See the Profile for quincyjb   Click Here to Email quincyjb        Reply w/Quote

This is purely speculation, but what the heck, here goes.

I would guess that access to the older Golden Age titles is a limiting factor when putting together an archive. So, in the case where books have to be borrowed, DC most likely takes advantage of the loan to photograph additional material rather than only what is immediately needed.

There are probably a whole mess of factors that come into play, and ultimately determine what additional material is or is not copied:

- The likelihood of a need for another feature in the near future. If you borrow More Fun to copy the Spectre, you will likely also copy Dr. Fate while you have possession of the book. You will probably ignore the Mutt and Jeff (or whatever humor feature) in the same issue, because (a) there's currently no interest in archiving that feature and (b) that feature started forty issues earlier, and in the unlikely event that it is archived, the first three archive volumes will not reach this issue's chapter.

- The condition of other features in the same issue. Just because the Batman feature is in nice shape and complete, does not mean the Superman feature is. So you could end up with several missing Superman in WF chapters after completing the Batman in WF archive.

- The schedule of the person(s) responsible for the copying. If Joe Zerocks is pushing into overtime and can barely complete photographing of the Batman in WF stories #8 - #15, and those issues must be returned to their owner tomorrow, then the decision may be made to not copy the Superman features, in order to avoid paying Joe overtime. This undoubtedly creates extra work/hassle for the next year when the Superman archive is made; but this is the way business is done in many places.

- It seems there would be interest in copying as many extra features as possible from any borrowed comics. The inconvenience of having to borrow them again, to copy other features, is something a smart businessman would want to avoid.

IP: Logged

srca1941
Member
posted March 14, 2003 11:08 AM     Click Here to See the Profile for srca1941   Click Here to Email srca1941        Reply w/Quote
The way I would do it is scan the full issue, complete or not. Even if there is something missing, if it's even needed, it can be tracked down later.

As for the original art, what remains is all in the hands of privite collectors. I don't believe there is any film until at least the mid-late 50's, and they're spotty at best until the 70's from my understanding.

-Steve

------------------
Visit "The Golden Years"
http://www.goldenyears.cjb.net
My "Future Archives" Page:
http://www.dcarchives.cjb.net

IP: Logged

jape
Member
posted March 14, 2003 12:15 PM     Click Here to See the Profile for jape   Click Here to Email jape        Reply w/Quote
When the Archves and Greatest Stories were first produced, there was a process called 'Theakstonising,' named after artist Greg Theakston, who devised it, which involved (I think) chemically bleaching an original comic book page-by-page to create black and white line artwork that could be restored and recoloured.

I certainly remember reading somehere that one of DCs two remaining sets of copies of Superman 1-4 had to be systematically destroyed to produce the first Superman Archive.

Scanning and repro technology has come a long way in the intervening 15 years, so such drastic measures may no longer be necessary. If it is, then it would clearly make sense to do whatever needed to be done to the other stories in any issue of World's Finest that was being cut up to create the Batman IWF Archive, n'est pas?

IP: Logged

Dr. Van Thorp
Member
posted March 14, 2003 01:10 PM     Click Here to See the Profile for Dr. Van Thorp   Click Here to Email Dr. Van Thorp        Reply w/Quote
Restoration proccesses have been discussed before. Can someone provide a link?

IP: Logged

vze2
Member
posted March 14, 2003 06:21 PM     Click Here to See the Profile for vze2        Reply w/Quote
The big question is what usable material does DC have in its library. I've never seen any estimate that I've considered reliable. This of course means that I've seen no reliable estimates of the material that needs to be borrowed, leased, or purchased. And of course anything that is purchased these days becomes a permanent part of the DC library.

However, I suspect, that DC actually has a substantial amount of usable material for two reasons:
1. Many of the rarest issues have already been Archived.
2. DC doesn't have to destroy (Theakstonize) original comics in order to make an Archive. This means that they don't need two copies of a comic to make an Archive.

I'll be shocked if DC has to borrow more than 50% of the material in any single volume. I suspect that they have to borrow no more than 30% per volume. Usually, the percentage will go down as volume numbers go up. I think I'm being conservative, but keep in mind that I'm only guessing.

I don't see any reason for DC to put in any extra work for usable material that they have in their possession. Based on the beliefs I described above, DC isn't doing a lot of doubling up.

However, in cases where DC is getting material from someone else, I pretty much agree with quincyjb.

If they have to pay someone for the issue, they will scan everything that they consider Archivable. I don't think DC considers Mutt and Jeff Archivable. Slam Bradley's on the edge.

I'm assuming that the owner of the material hasn't placed any restrictions on DC. For example, if I'm the kind of person who would charge DC big bucks to make an Action Archive from my material, I'm going to charge DC based on what they are using. Superman in Action will cost less than Superman and Zatara. I'd probably give them anything that I believe is unArchivable since I believe they won't be making any money off of it.

In any case, scanning is almost certainly the easy part. The restoration is almost certainly the hard part, but it can be done long after the material has been scanned. So doubling up probably never saves DC any significant amount of time.

If we're talking about Superman in World's Finest, I suspect that DC had to borrow about a quarter of the material. They probably scanned both Superman and Batman from these issues. However, the scanning is the easy part, so no time was really saved. I'm not sure when Green Arrow starts, but they probably scanned him as well. Zatara's on the edge, but I think he's falling off on the wrong side.

Like srca1941, I'd scan the entire issue. However, I don't think DC is doing this unless they are preparing for a CD collection.

IP: Logged

NecessaryImpurity
Member
posted March 14, 2003 07:37 PM     Click Here to See the Profile for NecessaryImpurity        Reply w/Quote
I'd guess that most of DC's borrowings are for Quality and Fawcett books. Any actual DC/All-American borrowings are probably rare, but cam still be a real problem if it's hard to find a copy in decent shape.

I'd guess square-bound comics like the 96-page World's Finest can present another problem if you can't lay the book flat. That might be why it took so long to get the "Batman in WFC Archives" and could explain why Sandman and Green Arrow have been passed over for years and years. If this had been a problem that has now been solved, we could get a number of features from such books in the near future. If it wasn't a problem, then to quote Bgtzl, quoting Gilda, doing Emily Latilla, "Nevermind".

IP: Logged

James Friel
Member
posted March 15, 2003 02:49 AM     Click Here to See the Profile for James Friel   Click Here to Email James Friel        Reply w/Quote
I don't think there's been much reason to expect either GA Sandman or Green Arrow to have been done before now (though I'd agree that it's now getting to be time for both of them).

As far as the lying flat problem is concerned, I have no knowledge at all of how it's done, but I'd imagine that any archival reproduction project would have the same difficulty, not just those in the comics field.
Perhaps it isn't necessary to lie the whole book face down on a screen as if it were being photocopied--maybe it can be held open at a right angle with the page being copied flat and face up and a lens pointed down at it from above, as if it were being photographed.

IP: Logged

DaBubba
Member
posted March 15, 2003 06:54 PM     Click Here to See the Profile for DaBubba   Click Here to Email DaBubba        Reply w/Quote
quote:
Originally posted by James Friel:

...Perhaps it isn't necessary to lie the whole book face down on a screen as if it were being photocopied--maybe it can be held open at a right angle with the page being copied flat and face up and a lens pointed down at it from above, as if it were being photographed.

Why go to all that bother? Just slit the spine with a box cutter, run the pages through a color copy machine, and staple the thing back together. That would take 10 minutes, tops. Simple, really. The owner could wait in the lobby while the processing was being done, so you wouldn't even have to mail the comic back and forth.


:-)


IP: Logged

James Friel
Member
posted March 15, 2003 07:22 PM     Click Here to See the Profile for James Friel   Click Here to Email James Friel        Reply w/Quote
<gasp>

<choke>

<gargle>

thud

IP: Logged

IndianaBoo
New Member
posted March 15, 2003 07:26 PM     Click Here to See the Profile for IndianaBoo   Click Here to Email IndianaBoo        Reply w/Quote
If you can't wait for golden age archives:
MicroComics Inc.
PO Box 243
Ridgewood, NJ 07451
1-800-666-4054
201-445-3450
201-445-2924 (fax)
arah@aol.com (email)

Tell them Don Powers recommended MicroComics to you.

Comics from DC since Action 1 on microfiche.

Since I have read early World's Finest (Best)on microfiche, I can tell you Supes and Bats were the bookends of the title with Zatara, TNT, GA, etc. squeezed in the middle.

So if the original books were sacrificed, I think page 1 and 2 of Supes and the final 2 pages of Batman, or final page and ad, were printed on the same sheet within the finished book, after pulling out the staples. They would continue sharing sheets as you pull the rest of the book apart. If they still bleach, or now photograph the pages, after pulling a book apart, it would make sense to work on both at the sametime.

IP: Logged

Drumore01
Member
posted March 15, 2003 08:45 PM     Click Here to See the Profile for Drumore01        Reply w/Quote
At times, comics have been borrowed from a reader not because DC is missing them, but in order to send a set to the colorist who is working on a collection.

As you could imagine, they are very tight about making sure their library collection stays in place, and does not want to chance items being lost, damaged or stolen.

IP: Logged

All times are ET (US)

next newest topic | next oldest topic

Administrative Options: Close Topic | Archive/Move | Delete Topic
Post New Topic  Post A Reply
Hop to:

Contact Us | DC Comics

Copyright © 2003 DC Comics
DC COMICS PRIVACY INFORMATION

Powered by Infopop www.infopop.com © 2000
Ultimate Bulletin Board 5.47